The Tumultuous Week of the (Christian) Actor

The actor's life is a tumultuous one. In the week following Thanksgiving, I have gone from feeling blah about being back, to making a valiant effort to be in a great mood, to extreme disappointment with the school, to being more inspired about my career than I have ever been and once again comprehending the sheer flippin' awesome-ness of God.

I think it's probably going to always be tough to go see family and then return to NYC. Small town life (and Addison family life) and NYC life are so completely different, and while I've gotten to where I can truly say I Love New York, I will probably always be a small town boy at heart. Getting back Sunday night to an empty room and a crowded city made me feel a tad disillusioned, but I bucked up and made a decision to greet the next day full of friendliness and good cheer. And I did, and so did everyone else, and it was indeed delightful to see all my Section 7 buddies again. Then, unfortunately, Monday was followed by Tuesday (make sure and say that with a u-glide!), the suckiest of days, and the day on which I have to go to school from 11 in the morning to 8:30 at night. Also the day of Vocal Production class, the singing class which did nothing but infuriate and annoy me because I didn't even get to sing and I've had this dumb, unchallenging song from Beauty and the Beast waaaaay too long. I'm not learning anything in the class. So by the time I got to Alexander Technique, I was conversing annoyingly with my fellow Section mates how this school truly wasn't worth the tuition, I wasn't learning anything, I wished I could quit, wah wah wah! Naturally, that was the day that I had to stand up and do a monologue in Alexander, and my blah attitude showed through clear as day. Strangely enough, though, when that teacher started working on me, physically and mentally, and made me keep doing it 'til I got it right, I ended up delivering a small, comedic performance that everyone agreed was way more effective than my 'memorized monologue'.

I called my acting mentor, Robin Haynie, to let it all out- my disappointment with school, my strong will to be out working, my disagreements with the techniques we were learning- and do you know what she said? Putting all validness of the school aside (she's always wished I was in a University program somewhere), in either scenario the point of drama programs is to be in a place where you can PRACTICE, PRACTICE, PRACTICE, PRACTICE in a safe environment where someone just might be able to give you some good advice on how to improve. That's a simple truth. It's one that I've realized before, but needed reminding of. And really, it's pretty much exactly what AADA is there for: a place for me to practice my butt off, taking risks, and learning new methods that may or may not be what I choose to use; a safe place to go to deeper places than I ever have. As always, Ms. Haynie delivered the perfect advice. What's more, I think just letting it out and speaking my issues aloud was precisely what I needed to make me realize how meaningless they were. Besides what Robin said being totally true, I have even more incentive to be content: Faith. I have faith that God has put me and will continue to put me exactly where I need to be. Furthermore, I have been blessed- ooooh, have I been blessed! What right have I to complain?

Yesterday we had a Q&A with Judith Light, and it was probably the most inspiring, practical, real thing I've ever been to about my career. Everyone who went left visibly moved- I don't really know how to explain it. Judith was just so open and honest about how she works, and the things that inspire her. She's not a superstar like Kevin Kline, she's just a working, tremendously talented actress who has it figured out probably better than most anyone else. For those of you who can't put a face to the name, Judith Light starred for years on Who's the Boss- I've never seen that show, but from what I hear it's not exactly the epitome of monumental acting; what she's respected for is her decades worth of stage work in plays like Wit, A Doll's House, Hedda Gabler, and currently Lombardi. I know her from Ugly Betty (LOVE) on which she played Claire Meade. Perhaps the best way to share her brilliance is to tell you the main things she said that really struck me, though it will be nowhere near as eloquent as her:

• Acting is a Service Industry; we perform to serve people because they need something- to be entertained, moved, have catharsis, whatever. If they didn't need something, they wouldn't be paying to watch us. So it's important to remember as an actor that it's not about you. It's about what you can give. She talked about when she did Wit (for those of you who didn't see it when I did it, it's a riveting play about a woman with ovarian cancer coming to terms with the false views she's had about life. It's probably one of the most taxing roles a woman could play.). Each night she'd be sitting backstage at half hour to curtain saying, "You know I really don't feel like doing this tonight." And her husband would say, "Well, you've got a half hour to start feeling like it." And this would go on until 5 minutes to show, and then she would say a little prayer: Help me to be what these people need to see. And then she'd be ready to go. Every night.
• To be successful, you have to get to a point of really knowing yourself and your instrument well enough that you can have confidence that you are enough and will deliver the performance needed. It's tough, it takes years of practice, but you can get there. Decide that you deserve it. Decide to greet your work with open mind and open heart.
• There are greater forces at work in this universe, and if you trust them they will guide you to where you need to go. (I think Judith may be a secret Christian.)

I honestly don't think I will ever forget it. And then in class, my partner Ariana and I did the best read-thru of any of the new scenes yet. In rehearsal, we'd had a lot of trouble taking it seriously, so finally I said: If it's not serious, it's not serious. If we need to laugh, laugh. So we did, and we let it all out. And then we were ready. We went for it, and if I do say so myself, we hit it out of the ballpark.

I'm here for a reason. If I open my mind and heart, I can see it all around me. In huge, semi-life-changing things like Judith Light's Q&A to small things like discovering that Forever 21 prints John 3:16 on the bottom of all of their bags. Little affirmations. God has given me a dream, and I am here to fulfill that dream and that purpose. If I let go, he will guide me. I know that to be true. And that gives me more reason to fully devote myself, work my hardest, and believe in what I'm doing than anything else ever can.